1. Thereupon His Augustness the Male Who-Invites, wishing to meet and see his younger sister Her Augustness the Female-Who-Invites, followed after her to the Land of Hades. So when from the palace she raised the door and came out to meet him, His Augustness the Male-Who-Invites spoke, saying: "Thine Augustness my lovely younger sister! the lands that I and thou made are not yet finished making; so come back!" Then Her Augustness the Female-Who-Invites answered, saying: "Lamentable indeed that thou earnest not sooner! I have eaten of the furnace of Hades. Nevertheless, as I reverence the entry here of Thine Augustness my lovely elder brother, I wish to return. Moreover I will discuss it particularly with the Deities of Hades. Look not at me!" Having thus spoken, she went back inside the palace; and as she tarried there very long, he could not wait. So having taken and broken off one of the end-teeth of the multitudinous and close-toothed comb stuck in the august left bunch of his hair, he lit one light and went in and looked. Maggots were swarming. and she was rotting, and in her head dwelt the Great-Thunder, in her breast dwelt the Fire-Thunder, in her left hand dwelt the Young-Thunder, in her right hand dwelt the Earth-Thunder, in her left foot dwelt the Rumbling-Thunder, in her right foot dwelt the Couchant-Thunder: altogether eight Thunder-Deities had been born and dwelt there. Hereupon His Augustness the Male-Who-Invites, overawed at the sight, fled back, whereupon his younger sister Her Augustness the Female-Who-Invites said: "Thou hast put me to shame," and at once sent the Ugly-Female-of-Hades to pursue him. So His Augustness the Male-Who-Invites took his black august head-dress and cast it down, and it instantly turned into grapes. While she picked them up and ate them, he fled on; but as she still pursued him, he took and broke the multitudinous and close-toothed comb in the right bunch of his hair and cast it down, and it instantly turned into bamboo-sprouts. While she pulled them up and ate them, he fled on. Again later his Younger sister sent the eight Thunder-Deities with a thousand and five hundred warriors of Hades to pursue him. So he, drawing the ten-grasp sabre that was augustly girded on him, fled forward brandishing it in his back hand; and as they still pursued, he took, on reaching the base of the Even Pass of Hades, three peaches that were growing at its base, and waited and smote his pursuers therewith, so that they all fled back. Then His Augustness the Male-Who-Invites announced to the peaches: "Like as ye have helped me, so must ye help all living people in the Central Land of Reed-Plains when they shall fall into troublous circumstances and be harassed!" and he gave to the peaches the designation of Their Augustnesses Great-Divine-Fruit. Last of all his younger sister Her Augustness the Princess-Who-Invites came out herself in pursuit. So he drew a thousand-draught rock, and with it blocked up the Even Pass of Hades, and placed the rock in the middle; and they stood opposite to one another and exchanged leave-takings; and Her Augustness the Female-Who-Invites said: "My lovely elder brother, thine Augustness! If thou do like this, I will in one day strangle to death a thousand of the folks of thy land." Then His Augustness the Male-Who-Invites replied: "My lovely younger sister, Thine Augustness! If thou do this, I will in one day set up a thousand and five hundred parturition-houses. In this manner each day a thousand people would surely be born." So Her Augustness the Female-Who-Invites is called the Great-Deity-of-Hades. Again it is said that, owing to her having pursued and reached her elder brother, she is called the Road-Reaching-Great-Deity. Again the rock with which he blocked up the Pass of Hades is called the Great-Deity-of-the-Road-Turning-back, and again it is called the Blocking-Great-Deity-of-the-Door-of-Hades. So what was called the Even-Pass-of-Hades is now called the Ifuya-Pass in the Land of Idzumo.

About this reader

What is Scripture?

Scripture is a browser-based reader for sixteen sacred texts spanning multiple religious and literary traditions. It provides chapter-by-chapter navigation, full-text search across all works, word concordance with frequency analysis, verse-linked notes, text-to-speech, and deep linking to any chapter or verse.

Traditions Represented

The collection spans Abrahamic, East Asian, Zoroastrian, Buddhist, Finnish, and Norse traditions. It includes King James biblical text and Apocrypha, Pickthall's Quran, the Book of Mormon, Doctrine and Covenants, Pearl of Great Price, Legge's Four Books, Tao Te Ching, and Book of Poetry, Chamberlain's Kojiki, West's Bundahishn, Kern's Lotus Sutra, Haug and West's Arda Viraf, Crawford's Kalevala, and Bellows' Poetic Edda.

The committed manifests and chapter files currently describe 121 books, 2,724 chapters, and 63,141 verse records. In poetry and prose works, a verse record can represent a line or paragraph rather than a canonically numbered scriptural verse.

Licensing

The application source is AGPL-3.0. Generated text downloads and their structured arrangement are CC BY-SA 4.0; the underlying historic source texts are treated as public-domain inputs. The corpus metadata therefore describes the distributed arrangement with its CC BY-SA license rather than the Public Domain Mark.

Concordance and Related Passages

The concordance is an exact-word occurrence index with linked records grouped by work. Related Passages is separate: a TF-IDF (term frequency-inverse document frequency) cosine-similarity index compares chapter vocabulary after stop-word removal and stores up to five cross-book matches above its threshold. It is a lexical discovery aid, not a claim of historical or theological equivalence.

Deep Linking

Every chapter and verse has a permanent URL. Chapter links follow the pattern /scripture/{work}/{book}-{chapter} (e.g., /scripture/ot/gen-1 for Genesis 1). Verse links append the verse number (e.g., /scripture/ot/gen-1:26 for Genesis 1:26). These URLs can be shared, bookmarked, or cited directly.

Accessibility

Scripture supports keyboard navigation throughout: Tab moves between controls, Enter activates verse actions, and arrow keys navigate chapters. The reading pane has a skip-to-content link. All overlays (search, concordance) are focus-trapped ARIA dialogs. Dynamic content regions use aria-live for screen reader announcements. Light and dark themes are available through the theme toggle. Verse numbers are visible to assistive technology. No flashing content or motion hazards.

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